| Wikimedia Commons |
Robert Cardinal Sarah, "Messaggio di Natale," Roma, 6 gennaio 2024, festa dell’Epifania del Signore, as reproduced on Diakonos.be: regards sur l'Eglise catholique by Sandro Magister. In English.
| Wikimedia Commons |
Robert Cardinal Sarah, "Messaggio di Natale," Roma, 6 gennaio 2024, festa dell’Epifania del Signore, as reproduced on Diakonos.be: regards sur l'Eglise catholique by Sandro Magister. In English.
"I had got but a little way in my work, when my trouble returned upon me. The ghost had come a second time. In the Arian History I found the very same phenomenon, in a far bolder shape, which I had found in the Monophysite. I had not observed it in 1832. Wonderful that this should come upon me! I had not sought it out; I was reading and writing in my own line of study, far from the controversies of the day, on what is called a 'metaphysical' subject; but I saw clearly, that in the history of Arianism, the pure Arians were the Protestants, the semi-Arians were the Anglicans, and that Rome now was what it was then. The truth lay, not with the Via Media, but with what was called 'the extreme party.' As I am not writing a work of controversy, I need not enlarge upon the argument; I have said something on the subject in a volume, from which I have already quoted."
John Henry [Cardinal] Newman, Apologia pro vita sua, chap. 3, "History of my religious opinions from 1839 to 1841," ed. David J. DeLaura, Norton critical edition (1968), 114-115.
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| Index of Medieval Art (Vat. gr. 1613, p. 258) |
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| Anim Shrest |
St. Gregory of Nyssa, Homily 2 on the Song of songs, trans. Richard A. Norris, Jr. (Gregory of Nyssa: homilies on the Song of songs, Writings from the Greco-Roman world 13 (Atlanta, GA: SBL Press, 2012)), 76-77 =GNO 6.1.68. I was put onto this by Gabrielle Thomas, "The Status of vulnerability in a theology of the Christian life: Gregory of Nyssa on the 'wound of love’ in conversation with Sarah Coakley," Modern theology 38, no. 4 (2022): 791 (777–795).
Joseph Addison, "When all thy mercies, O my God," stanza 1, the poem with which he concludes an essay on gratitude; The spectator 6, no. 453 (Saturday, August 9, 1712): 223. See the Canterbury Dictionary of Hymnology under "When all thy mercies, O my God" ("The hymn [by Addison] was very popular in the 18th century, and has remained so. John Wesley* used it in his first hymnbook, the Collection of Psalms and Hymns published at Charlestown in 1737, though unhappily altering the two lines printed above to 'Why my cold heart, art thou not lost / In wonder, love and praise?'") and Charles Wesley's "Love divine, all loves excelling". Later Gerard Manley Hopkins used the phrase "lost in wonder" at the end of the first stanza of his translation of Aquinas' "Adoro te devote."