River Bill Thacker, in Wendell Berry's Jayber Crow, chap. 23 (Washington, DC: Counterpoint, 2000), 256).
Saturday, July 27, 2013
"Age . . . has done more for my morals than Methodism ever did."
River Bill Thacker, in Wendell Berry's Jayber Crow, chap. 23 (Washington, DC: Counterpoint, 2000), 256).
Tuesday, July 23, 2013
"remember the Church in Syria"
"Remember me in your prayers, that I may attain to God, and remember the Church in Syria, of which I am not worthy to be called a member. For I need your united prayer in God and your love, that the Church which is in Syria may be granted refreshment from the dew of your Church."
μνημονεύτέ μου ἐν ταῖς προσευχαῖς ὑμῶν, ἵνα θεοῦ ἐπιτύχω, καὶ τῆς ἐν Συρίᾳ ἐκκλεσίας, ὅθεν οὐκ ἄγιός εἰμι καλεῖσθαι· ἐπιδέομαι γὰρ τῆς ἡνωμένης ὑμῶν ἐν Θεῷ προσευχῆς καὶ ἀγάπης, εἰς τὸ ἀξιωθῆναι τὴν ἐν Συρίᾳ ἐκκλησίαν διὰ τῆς ἐκκλησίας ὑμῶν δροσισθῆναι.
St. Ignatius (d. c. 107), Magnesians 14, trans. Kirsopp Lake. Cf. http://online.wsj.com/article/SB10000872396390443537404577579473069060742.html, as elsewhere.
μνημονεύτέ μου ἐν ταῖς προσευχαῖς ὑμῶν, ἵνα θεοῦ ἐπιτύχω, καὶ τῆς ἐν Συρίᾳ ἐκκλεσίας, ὅθεν οὐκ ἄγιός εἰμι καλεῖσθαι· ἐπιδέομαι γὰρ τῆς ἡνωμένης ὑμῶν ἐν Θεῷ προσευχῆς καὶ ἀγάπης, εἰς τὸ ἀξιωθῆναι τὴν ἐν Συρίᾳ ἐκκλησίαν διὰ τῆς ἐκκλησίας ὑμῶν δροσισθῆναι.
St. Ignatius (d. c. 107), Magnesians 14, trans. Kirsopp Lake. Cf. http://online.wsj.com/article/SB10000872396390443537404577579473069060742.html, as elsewhere.
Monday, July 22, 2013
"faith 'sees' to the extent that it journeys, to the extent that it chooses to enter into the horizons opened up by God’s word."
"The word spoken to Abraham. . . . is a call to leave his own land, a summons to a new life, the beginning of an exodus which points him towards an unforeseen future. The sight which faith would give to Abraham would always be linked to the need to take this step forward: faith 'sees' to the extent that it journeys, to the extent that it chooses to enter into the horizons opened up by God’s word."
Pope Francis, Lumen fidei 9.
Pope Francis, Lumen fidei 9.
Sunday, July 21, 2013
Tocqueville on the origin of the Sublime
"When skepticism [(le doute)] had depopulated heaven, and the progress of equality had reduced each individual to smaller and better-known proportions, the poets, not yet aware of what they could substitute for the great themes that were departing together with the aristocracy, turned their eyes to inanimate nature. As they lost sight of gods and heroes, they set themselves to describe streams and mountains."
Alexis de Tocqueville, Democracy in America II (1840).I.xvii ("Of some sources of poetry among democratic nations"), trans. Henry Reeve, with revisions by Francis Bowen and Phillips Bradley ((New York, NY: Alfred A. Knopf, 1997), vol. 2, p. 73); =II.I.xvii in Œuvres, ed. André Jardin (Bibliothèque de la Pléiade), II (De la démocratie en Amérique), ed. Jean-Claude Lamberti and James T. Schleifer (Paris: Éditions Gallimard, 1992), 585.
Yet this "belongs only to a period of transition." For
Alexis de Tocqueville, Democracy in America II (1840).I.xvii ("Of some sources of poetry among democratic nations"), trans. Henry Reeve, with revisions by Francis Bowen and Phillips Bradley ((New York, NY: Alfred A. Knopf, 1997), vol. 2, p. 73); =II.I.xvii in Œuvres, ed. André Jardin (Bibliothèque de la Pléiade), II (De la démocratie en Amérique), ed. Jean-Claude Lamberti and James T. Schleifer (Paris: Éditions Gallimard, 1992), 585.
Yet this "belongs only to a period of transition." For
in the end democracy diverts the imagination from all that is external to man and fixes it on man alone. Democratic nations may amuse themselves for a while with considering the productions of nature, but they are excited in reality only by a survey of themselves. . . .In Europe people talk a great deal of the wilds of America, but the Americans themselves never think about them; they are insensible to the wonders of inanimate nature and they may be said not to perceive the mighty forests that surround them till they fall beneath the hatchet. Their eyes are fixed upon on another sight: the American people views its own march across these wilds, draining swamps, turning the course of rivers, peopling solitudes, and subduing nature [(pp. 73 and 74)].How then to account for the resurgence of interest in the Sublime at the turn of the last century?
"in crowning their merits, you crown your own gifts."
It is truly right and just, our duty and our salvation,
always and everywhere to give you thanks,
Lord, holy Father, almighty and eternal God.
For you are praised in the company of your Saints
and, in crowning their merits, you crown your own gifts
[(et eorum coronando merita tua dona coronas)]....
And so, with the Angels and Archangels, and with the great multitude of the Saints,
we sing the hymn of your praise,
as without end we acclaim:
Holy, Holy, Holy. . . .
Preface I of Saints, all italics mine. This Preface and the sentence that I have italicized derive from prayer no. 1258 in (on p. 289 of) the Missale Parisiene of 1789 (also a Preface of Saints), where the sentence in question appears in a slightly different word-order: "et eorum coronando merita, coronas dona tua." I don't know how far back this prayer goes in the Parisian tradition, but according to pp. 445-450 of The Prefaces of the Roman Missal, by Ward and Johnson, where it is Preface no. 69, the sentence in question derives from De gratia and libero arbitrio 15 (PL 44, 890-891) and Tract. in Ioannem 3.10 (PL 35, 1401) of St. Augustine, where the wording is very similar. The Catechism of the Catholic Church cites (at the head of the section on Merit, i.e. just before #2006, on p. 541n59) also En. in Ps. 102.7 (PL 37, 1321-1322).
Here the new translation certainly did improve things. For the old one read more ambiguously, "You are glorified in your saints, for their glory is the crowning of your gifts."
always and everywhere to give you thanks,
Lord, holy Father, almighty and eternal God.
For you are praised in the company of your Saints
and, in crowning their merits, you crown your own gifts
[(et eorum coronando merita tua dona coronas)]....
And so, with the Angels and Archangels, and with the great multitude of the Saints,
we sing the hymn of your praise,
as without end we acclaim:
Holy, Holy, Holy. . . .
Preface I of Saints, all italics mine. This Preface and the sentence that I have italicized derive from prayer no. 1258 in (on p. 289 of) the Missale Parisiene of 1789 (also a Preface of Saints), where the sentence in question appears in a slightly different word-order: "et eorum coronando merita, coronas dona tua." I don't know how far back this prayer goes in the Parisian tradition, but according to pp. 445-450 of The Prefaces of the Roman Missal, by Ward and Johnson, where it is Preface no. 69, the sentence in question derives from De gratia and libero arbitrio 15 (PL 44, 890-891) and Tract. in Ioannem 3.10 (PL 35, 1401) of St. Augustine, where the wording is very similar. The Catechism of the Catholic Church cites (at the head of the section on Merit, i.e. just before #2006, on p. 541n59) also En. in Ps. 102.7 (PL 37, 1321-1322).
Here the new translation certainly did improve things. For the old one read more ambiguously, "You are glorified in your saints, for their glory is the crowning of your gifts."
Saturday, July 20, 2013
On the shoulders of giants
12th-century, Bernard of Chartres (d. c. 1130), as quoted by John of Salisbury (c. 1115-1180):
"Bernard of Chartres used to compare us to [puny] dwarfs perched on the shoulders of giants. He pointed out that we see more and farther than our predecessors, not because we have keener vision or greater height, but because we are lifted up and borne aloft on their gigantic stature."
Metalogicon (1159) III.4 (PL 199, 900C), trans. Daniel D. McGarry (The Metalogicon of John of Salisbury: a twelfth-century defense of the verbal and logical arts of the trivium, trans. Daniel D. McGarry (Berkeley, CA: University of California Press, 1955), 167).
Dicebat Bernardus Carnotensis, nos esse quasi nanos, gigantium humeris insidentes, ut possimus plura eis et remotiora videre, non utique proprii visus acumine, aut eminentia corporis, sed quia in altum subvehimur et extollimur magnitudine gigantea.
Joannis Saresberiensis postea episcopi Carnotensis opera omnia, ed. J. A. Giles (1848), vol. 5, p. 131. The reading on p. 136 of Ioannis Saresberiensis Episcopi Carnotensis Metalogicon libri IIII, ed. Clemens C. I. Webb (Oxford: Clarendon Press, 1929) differs only in lacking some (though not all) of the commas inserted by Giles, and in substituting u for some vs:
Dicebat Bernardus Carnotensis nos esse quasi nanos gigantium humeris insidentes, ut possimus plura eis et remotiora uidere, non utique proprii uisus acumine aut eminentia corporis, sed quia in altum subuehimur et extollimur magnitudine gigantea.
'Et,' ut ait philosophus, 'nos sumus quasi nani stantes super humeros gigantum.'
Var. in MSS A and B, according to Giles (Webb gives no variants):
'Et,' ut ait philosophus, 'nos sumus quasi nani stantes super humeros gigantium.'
Alexander Neckam (Nequam, 1157-1217), De naturis rerum 78 (Alexandri Neckam De naturis rerum libri duo. With the poem of the same author, De laudibus divinæ sapientiæ, ed. Thomas Wright (London: Longman, Green, Longman, Longman, Roberts, and Green, 1863), 123).
"To cut off pleasures from the consequences and conditions which they have by nature, detaching, as it were, the precious phrase from its irrelevant context, is what distinguishes the man from the brute and the citizen from the savage."
"'It wasn't scenery we were looking for,' said John. 'I am trying to find the Island in the West.'
"'You refer, no doubt, to some æsthetic experience. There again—I would not urge a young man to shut his eyes to that sort of thing. Who has not felt immortal longings at the lengthening of the shadow or the turning of the leaf? Who has not stretched out his hands for the ulterior shore? Et ego in Arcadia! We have all been fools once—aye, and are glad to have been fools too. But our imaginations, like our appetites, need discipline; not, heaven help us, in the interest of any transcendental ethic, but in the interests of our own solid good. That wild impulse must be tasted, not obeyed. The bees have stings, but we rob them of their honey. To hold all that urgent sweetness to our lips in the cup of one perfect moment, missing no faintest ingredient in the flavour of its μονόχρονος ἡδονή, yet ourselves, in a sense, unmoved—this is the true art. This tames in the service of the reasonable life even those pleasures whose loss might seem to be the heaviest, yet necessary, price we paid for rationality. Is it an audacity to hint that for the corrected palate the taste of the draught even owes its last sweetness to the knowledge that we have wrested it from an unwilling source? To cut off pleasures from the consequences and conditions which they have by nature, detaching, as it were, the precious phrase from its irrelevant context, is what distinguishes the man from the brute and the citizen from the savage. I cannot join with those moralists who inveigh against the Roman emetics in their banquets: still less with those who would forbid the even more beneficent contraceptive devices of our later times. That man who can eat as taste, not nature, prompts him and yet fear no aching belly, or who can indulge in Venus and fear no impertinent bastard, is a civilized man. In him I recognize Urbanity—the note of the centre."
Mr. Sensible, in C. S. Lewis, The pilgrim's regress: an allegorical apology for Christianity, reason, and romanticism V.4 ((Grand Rapids, MI: Wm. B. Eerdmans Publishing Company, 1974/1958 [1943/1933]), 84-85).
Et ego in Arcadia! "‘And I too in Arcadia’; a tomb inscription, of disputed interpretation, often depicted in classical paintings, notably by Poussin in 1655" (Oxford dictionary of phrase and fable, 2nd ed., ed. Elizabeth Knowles, (2005)); "The Latin tag familiar from seventeenth-century pastoral paintings, et in Arcadia ego, often translated as ‘I too [have lived] in Arcadia’, may more correctly mean ‘I [am found] even in Arcadia’, and refer to death" (Oxford companion to classical literature, 3rd ed., ed. M. C. Howatson (2011)); "the grim intrusion of death into the pastoral world" (Oxford companion to Hardy, ed. Norman Page (2001), s.v. pastoralism, by R. P. Draper); "And I too in Arcadia. tomb inscription, of disputed meaning, often depicted in classical paintings, notably by Poussin in 1655; E. Panofsky ‘Et in Arcadia ego’ in R. K. Klibansky and H. J. Paton (eds.) Philosophy and History: Essays Presented to E. Cassirer (1936)" (Oxford essential quotations, ed. Susan Ratcliffe (2012)); etc.
μονόχρονος ἡδονή momentary pleasure. Cf. the μονόχρονος εὐδαιμονία of Aristippus ap. Ath[enaeus Grammaticus] 12.544a (LSJ). Yet, contra LSJ, there is only one occurrence of μονόχρονος in the whole of Aristippi et Cyrenaicorum fragmenta, ed. Erich Mannebach (Brill, 1961), no. 207 (on p. 48), where "Athen. XII p. 544 a-b" is again the citation and what appears is "μονόχρονον αὐτὴν (sc. τὴν ἡδυπάθειαν[, pleasant living or luxury])", with a reference back to no. 157, where "Athen. XII p. 544 a" (but not μονόχρονος) again appears. Cf. Loeb classical library 327 =Athenaeus VI, ed. & trans. S. Douglas Olson (Cambridge: Harvard University Press, 2010), pp. 164-165 (=Athenaei Navcratitae Dipnosophistarvm libri XV, ed. Kaibel, vol. 3 (Leipzig: Teubner, 1890), p. 199):
Cf. the reference to hedupatheia here: "Aristippus welcomed the experience of pleasure (hedupatheia), and said it is the end, and that happiness is founded on it. And he said that it was for a single time only (monochronos). Like prodigal people, he thought that neither the memory of past gratifications nor the expectation of future ones was anything to him, but he discerned the good by the single present time alone. He regarded having been gratified and being about to be gratified as nothing to him, on the ground that the one no longer is and the other is not yet and is unclear--just like what happens to self-indulgent people, who suppose that only what is present benefits them. (Athenaeus, Deipn. xiv 514a)" (T.H. Irwin, "Aristippus against happiness," Monist 74, no. 1 (January 1991): 55-82).
"'You refer, no doubt, to some æsthetic experience. There again—I would not urge a young man to shut his eyes to that sort of thing. Who has not felt immortal longings at the lengthening of the shadow or the turning of the leaf? Who has not stretched out his hands for the ulterior shore? Et ego in Arcadia! We have all been fools once—aye, and are glad to have been fools too. But our imaginations, like our appetites, need discipline; not, heaven help us, in the interest of any transcendental ethic, but in the interests of our own solid good. That wild impulse must be tasted, not obeyed. The bees have stings, but we rob them of their honey. To hold all that urgent sweetness to our lips in the cup of one perfect moment, missing no faintest ingredient in the flavour of its μονόχρονος ἡδονή, yet ourselves, in a sense, unmoved—this is the true art. This tames in the service of the reasonable life even those pleasures whose loss might seem to be the heaviest, yet necessary, price we paid for rationality. Is it an audacity to hint that for the corrected palate the taste of the draught even owes its last sweetness to the knowledge that we have wrested it from an unwilling source? To cut off pleasures from the consequences and conditions which they have by nature, detaching, as it were, the precious phrase from its irrelevant context, is what distinguishes the man from the brute and the citizen from the savage. I cannot join with those moralists who inveigh against the Roman emetics in their banquets: still less with those who would forbid the even more beneficent contraceptive devices of our later times. That man who can eat as taste, not nature, prompts him and yet fear no aching belly, or who can indulge in Venus and fear no impertinent bastard, is a civilized man. In him I recognize Urbanity—the note of the centre."
Mr. Sensible, in C. S. Lewis, The pilgrim's regress: an allegorical apology for Christianity, reason, and romanticism V.4 ((Grand Rapids, MI: Wm. B. Eerdmans Publishing Company, 1974/1958 [1943/1933]), 84-85).
Et ego in Arcadia! "‘And I too in Arcadia’; a tomb inscription, of disputed interpretation, often depicted in classical paintings, notably by Poussin in 1655" (Oxford dictionary of phrase and fable, 2nd ed., ed. Elizabeth Knowles, (2005)); "The Latin tag familiar from seventeenth-century pastoral paintings, et in Arcadia ego, often translated as ‘I too [have lived] in Arcadia’, may more correctly mean ‘I [am found] even in Arcadia’, and refer to death" (Oxford companion to classical literature, 3rd ed., ed. M. C. Howatson (2011)); "the grim intrusion of death into the pastoral world" (Oxford companion to Hardy, ed. Norman Page (2001), s.v. pastoralism, by R. P. Draper); "And I too in Arcadia. tomb inscription, of disputed meaning, often depicted in classical paintings, notably by Poussin in 1655; E. Panofsky ‘Et in Arcadia ego’ in R. K. Klibansky and H. J. Paton (eds.) Philosophy and History: Essays Presented to E. Cassirer (1936)" (Oxford essential quotations, ed. Susan Ratcliffe (2012)); etc.
μονόχρονος ἡδονή momentary pleasure. Cf. the μονόχρονος εὐδαιμονία of Aristippus ap. Ath[enaeus Grammaticus] 12.544a (LSJ). Yet, contra LSJ, there is only one occurrence of μονόχρονος in the whole of Aristippi et Cyrenaicorum fragmenta, ed. Erich Mannebach (Brill, 1961), no. 207 (on p. 48), where "Athen. XII p. 544 a-b" is again the citation and what appears is "μονόχρονον αὐτὴν (sc. τὴν ἡδυπάθειαν[, pleasant living or luxury])", with a reference back to no. 157, where "Athen. XII p. 544 a" (but not μονόχρονος) again appears. Cf. Loeb classical library 327 =Athenaeus VI, ed. & trans. S. Douglas Olson (Cambridge: Harvard University Press, 2010), pp. 164-165 (=Athenaei Navcratitae Dipnosophistarvm libri XV, ed. Kaibel, vol. 3 (Leipzig: Teubner, 1890), p. 199):
Entire philosophical sects laid claim to the idea of organizing one's life around luxury, for example the so-called Cyrenaic sect, which originated with Socrates' student Aristippus (frr. 157, 207 Mannebach = SSR IV A 174), who expressed his approval of a life of luxury, and said that this is what one should aim for, as well as what happiness is based on. He also argued that pleasure exists only in the individual moment [(ὃς ἀποδεξάμενος τὴν ἡδυπάθειαν ταύτην τέλος εἶναι ἔφη καὶ ἐν αὐτῇ τὴν εὐδαιμονίαν βεβλῆσθαι· καὶ μονόχρονον αὐτὴν εἶναι, who, approving of pleasure [(τὴν ἡδυπάθειαν)], was saying that this [(ταύτην = τὴν ἡδυπάθειαν)] is the aim and that happiness [(τὴν εὐδαιμονίαν)] has been founded on it, and that it [(αὐτὴν = either τὴν εὐδαιμονίαν or τὴν ἡδυπάθειαν)] is momentary)]. . . .
The point being that either either τὴν εὐδαιμονίαν or τὴν ἡδυπάθειαν could be the referent of the αὐτὴν associated with μονόχρονον (to the vindication of LSJ).
Cf. the reference to hedupatheia here: "Aristippus welcomed the experience of pleasure (hedupatheia), and said it is the end, and that happiness is founded on it. And he said that it was for a single time only (monochronos). Like prodigal people, he thought that neither the memory of past gratifications nor the expectation of future ones was anything to him, but he discerned the good by the single present time alone. He regarded having been gratified and being about to be gratified as nothing to him, on the ground that the one no longer is and the other is not yet and is unclear--just like what happens to self-indulgent people, who suppose that only what is present benefits them. (Athenaeus, Deipn. xiv 514a)" (T.H. Irwin, "Aristippus against happiness," Monist 74, no. 1 (January 1991): 55-82).
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