Oratio, Feast of St. Hildegard of Bingen, Doctor of the Church, 17 September

"Deus, fons vitae, qui sanctam Hildegardem, virginem, prophetico spiritu imbuisti, fac nos, quaesumus, eius exemplo et intercessione, vias tuas scire et in huius saeculi caligine lucis tuae claritatem cognoscere. Per Dominum."

O God, source of life, who steeped Saint Hildegard in the prophetic Spirit, cause us, we pray, by her example and intercession, to know your ways [(vias tuas scire > Scivias)] and in the darkness of our [(huius, of this)] time to know the brightness of your light.  Through [our] Lord [Jesus Christ your Son, who, etc.].

     Prayer for the Feast of St. Hildegard of Bingen, Doctor of the Church, 17 September, translation mine (as I wasn't seeing this offhand in any of my apps).  Image:  RomkeHoekstra, Wikimedia Commons.


Church of England:

"Most glorious and holy God, whose servant Hildegard, strong in the faith, was caught up in the vision of your heavenly courts:  by the breath of your Spirit open our eyes to glimpse your glory and our lips to sing your praises with all the angels; through Jesus Christ your Son our Lord, who". Etc.

Episcopal Church:

"God of all times and seasons:  Give us grace that we, after the example of thy servant Hildegard, may both know and make known the joy and jubilation of being part of thy creation, and show forth thy glory not only with our lips but in our lives; through Jesus Christ our Savior, who".  Etc.

"Changes of habit"

     "In the summer of 1538 the order was put out for former regulars to remove habits or face the capital punishment of felons. Anecdotally, Cromwell met Alexander Barclay – formerly a monk, now a friar – at a bookstall by St Paul’s and told him that if he did not take off his habit he would be hanged, 'for example to all other'. Beyond London and the vicegerent’s gaze, it proved more difficult to prevent. Sir Piers Edgcumbe caught up with two Plymouth Franciscans still clothed as friars. 'Wolde [they] by them new hobyts or naye?', he challenged them. 'They bowthe sayed that they wolde not for a yere or tow and by that tyme perchance ther wylbe aouther change and then oure olde hobyts wyll serve agayne.' One Sir Robert Elys, resolutely uncooperative, was 'carried hym to the joyell [gaol]', declaring, 'he trustyd within tow yeris he mought weer his clothyng  agayne . . . [and] that he had red in a pronunsticacion that ther shulde be a kyng in yglond that shulde do gret wrong to his comynaltie to ther semyng and that within tow yeris after he shulde take gret repentance for the same.'"

      James G. Clark, The dissolution of the monasteries:  a new history (New Haven:  Yale University Press, 2021), chap. 9 ("Changes of habit").  Image:  Wikimedia Commons.

"Were it not for the poetry and song that they recite before me daily, I would not have created the world"

"Were it not for the poetry and song that they [all [sons of] flesh and blood [(כל בני בשר ודם)]] recite before me daily, I would not have created the world [(שאלמלא שירה וזמרה שהם אומרים לפני בכל יום לא בראתי את עולמי)]; and whence do we know that the Holy One, blessed is he, only created the world on account of the poetry and song?  From the verse which says (Psalm 96:6), 'Honor and majesty are before him, strength and beauty are in his sanctuary.'  That is to say, honor and majesty are before him in heavens, but strength and beauty arise from his sanctuary on earth. . . .  And whence do we know that the Holy One, blessed is he, created the heavens for the matter of poetry?  From the verse which says (Psalm 19:1), 'The heavens declare the glory of God. . . .'  And whence do we know that Adam opened his mouth in a song of praise?  From the verse which says 'A psalm, a poem for the Sabbath day.  It is good to give thanks to the Lord, and to sing praise to thy name, O most high!' (Psalm 92:1)."

     Midrash Otiyyot Derabbi Akiba [(מדרש אותיות דרבי עקיבא)] (7th/9th (prob. 9th) cent.), chap. 1, as trans. Harold Fisch, Poetry with a purpose:  biblical poetics and interpretation, Indiana studies in biblical literature (Bloomington & Indianapolis, IN:  Indiana University Press, 1988), 119.  Hebrew from the edition ed. Solomon Aaron Wertheimer (Jerusalem:  1914), 1-2 (beginning from the penultimate line of the text (not apparatus) on p. 1), not vol. 2 of (the still-less-than-fully-critical edition usually given for the Midrash Otiyyot Derabbi Akiba,) Wertheimer's Bate midrashot:  ʻeśrim ṿe-ḥamishah midreshe Ḥazal ʻal pi kitve yad me-Genizat Yerushalayim u-Mitsrayim, ʻim mevoʼot, heʻarot ṿe-tsiyunim (Jerusalem:  Hotsaʼat Ketav-yad ṿe-sefer, 1988 [1950-1953]).  Hat tip:  Brian Lugioyo.  Image:  Rylands Sephardi Haggadah, fol. 28v (Bezalel Narkiss Index of Jewish Art and Material Culture).