Wednesday, July 19, 2017

A couple of the ground rules: Schubert on the medieval and early modern disputatio

Karl Friedrich Lessing (1867)
"before the beginning of the real disputation came rules for the Tragen, [rules] that were to guarantee the inviolability of Church teaching.  Only doctors appointed to a university who had acquired the [requisite] 'licentia disputandi' were permitted to dispute freely, i.e. on a self-chosen theme.  And even they could only choose [from among] themes 'salva fide catholica'.  More than that, the disputants had to guarantee under oath, in a 'protestatio' offered at the start, [that they [(man)] meant to have discussed only 'disputative' everything that might be said in the heat of the battle and [everything that] might militate against [(gegen . . . verstoßen werde)] the doctrine of the Church, but [to have] treated nothing 'assertive'.  The integrity of church doctrine was in this way already secured by the choice of disputants, the choice of themes, and the scientifico-theoretical definition of the status of [a given (des)] statement."

"Especially significant was the ban against calling the remark of an adversary heretical, a [charge] that [(was)] could have life-threatening consequences for the accused."

     Anselm Schubert, "Libertas disputandi:  Luther und die Leipziger Disputation als akademisches Streitgespräch," Zeitschrift für Theologie und Kirche 105 (2008):  415-416 (411-442).

"took . . . and ate" redux

"The Eucharist is an act—better:  a decision.  [A] decision so irrevocable that, in it, Jesus can already communicate the fruits of the act itself before it has [actually] taken place:  it is thus that, on Holy Thursday, in anticipation of the sacrifice of the Cross, [and] even though his body has not yet been tortured and his blood had not yet been poured [out], Jesus can share with his disciples his Body given for us and his Blood poured [out] for us.  And this, by rendering them capable, by communion in this mystery, of not making of it a harpagmos, but of receiving it in the same spirit in which he is given to them [(il leur est donné)] in order that [they], in their turn might themselves be given [(se donner)].  [The verbs] ‘take’ and ‘eat’ have henceforth [been] transformed in sense:
In Genesis 3:6, these same verbs describe coveteousness in action:  in order to be as the god of the serpent and to master everything, the woman takes and eats.  It is these acts of taking and eating that Jesus invites his disciples to undertake [(poser)] when he shares the bread with them.  But the meaning of these two gestures is very different.  There they render concrete the totalizing envy that denies all alterity; here they are [a] reception of the other who manifests his desire to give himself [away].  In the case of the bread 'given in order that the world might have life' (Jn 6:51), to take and eat on the word of Jesus is the act par excellence of the acknowledgement of God who, in this Jesus, reveals that gives [us] all things (cf. Rom 8:32).
The fruit of the eucharistic attitude of Jesus (an action within the passion!) is to cause us to enter into the 'new and eternal' covenant with God.  It is not just, in fact, that the Eucharist gives us a share in this paradoxical act, but that, by actualizing the resurrection that is its end game [(aboutissement)], it gives us the capacity to respond to it and to deploy the fecundity of it in our lives by taking the same road.  Thus, the request for our daily bread is inscribed within the pascal act of him who 'suffered for [us] and left [us] the way to the end that [we might follow] in his steps' (1 Pet 2:21).  [The] request for [the] life which is death to self, it prepares us to live our own death as Christ experienced his:  in order that it might be given in communion with as [a] source of life."

     Jean-Pierre Batut, "Don du pain et combat de la persevérance," quoting André Wénin, Pas seulement de pain. . . .  Violence et alliance dans la Bible (Paris:  Cerf, 2002), 96-97, underscoring mine.  Revue internationale catholique Communio 42, no. 2 (mars-avril 2017):  72-73 (65-73).
  • Gen 3:6:  καὶ λαβοῦσα τοῦ καρποῦ αὐτοῦ ἔφαγεν· καὶ ἔδωκεν καὶ τῷ ἀνδρὶ αὐτῆς μετ᾽ αὐτῆς, καὶ ἔφαγον.
  • Mt 26:26:  λάβετε φάγετε.  The synoptics use the same verb for "gave" as well, Mk and Lk even the very same form (ἔδωκεν).

Tuesday, July 18, 2017

"It was only a matter of an inch; but an inch is everything when you are balancing."

"it is exactly this which explains what is so inexplicable to all the modern critics of the history of Christianity.  I mean the monstrous wars about small points of theology, the earthquakes of emotion about a gesture or a word.  It was only a matter of an inch; but an inch is everything when you are balancing."

     G. K. Chesterton, "The paradoxes of Christianity," Orthodoxy (London:  John Lane, 1909), 182.

Monday, July 17, 2017

You cannot serve [both] God and Hegel

"This [one] text alone should have checked the blind dash of all those who hurl themselves into pretending to be at once Christians and Hegelians."

"Ce seul texte aurait dû retenir l’élan aveugle de tous ceux qui se précipitèrent à se pretender àla fois chrétiens et hégéliens."

     Jean-Luc Marion, "À partir de la Trinité," Revue internationale catholique Communio 40, no. 6 (novembre-décembre 2015):  25n5 (23-37).  The passage in question is Phenomenology of spirit Preface.19, in one online translation (I have not checked any of this, least of all the German, against a critical edition),
The life of God and divine intelligence, then, can, if we like, be spoken of as love disporting with itself; but this idea falls into edification, and even sinks into insipidity, if it lacks the seriousness, the suffering, the patience, and the labour of the negative. 
Das Leben Gottes und das göttliche Erkennen mag also wohl als ein Spielen der Liebe mit sich selbst ausgesprochen werden; diese Idee sinkt zur Erbaulichkeit und selbst zur Fadheit herab, wenn der Ernst, der Schmerz, die Geduld und Arbeit des Negativen darin fehlt.
Marion's point is that Hegel
  • blasphemously "denies [Christ] before men" (Mt 10:33 and parallels) by subordinating the agape that is "the greatest" because it loves "to the end" (Jn 13:1) to these other virtues;
  • ignores the "theoretical (namely historical) consequences" of this thesis; and
  • remains oblivious of the fact that he had already been refuted in advance by St. Paul, "who defines agape by assigning to it precisely the four terms that Hegel will want to attribute to negation (au négatif).  For agape "bears all things, believes all things, hopes all things, endures all things" (1 Cor 13:7).  I.e., St. Paul explores more than anyone else in the world and even beyond the world "the seriousness (pisteuein), the suffering (umpomenein), the travail (stegein), and the patience (elpein)" of agape.  "It is a question here of edification to be sure, but the 'edification of the [body of] Christ through himself [(par lui-même)] in agape' (Eph 4:16), without any danger of sinking into insipidity, because nothing endures as much as agape".  Hegel can't see what it is almost impossible for the philosopher to see qua philosopher (26).
Cf. David Bentley Hart:
Hegel's logic cannot work that way, and the system is not something to be trifled with:  it is too well thought out, and one step toward it is complete capitulation.
"No shadow of turning:  on divine impassibility" (2002), in The hidden and the manifest:  essays in theology and metaphysics (Grand Rapids, MI:  Eerdmans, 2017), 52 (45-69).

"my temple and my tow'r"

Pride of man and earthly glory,
Sword and crown betray his trust:
What with care and toil he buildeth,
Tower and temple, fall to dust.
But God's power,
Hour by hour,
Is my temple and my tow'r.

     Robert Bridges, stanza two of "All my hope on God is founded" (Yattendon Hymnal (1898), no. 69), a very loose translation of "Meine Hoffnung stehet feste" (A und Ω. Joachimi Neandri Glaub- und Liebes-Übung (1680); 3rd printing, 1686, pp. 115 ff.), by Joachim Neander.

Saturday, July 15, 2017

"let us never speak of 'divine kenosis' on the cross."

"Christ Jesus performs in his passion precisely the same performance of agapè as in the Trinity, because the Son that he is from all eternity never 'steps out' of/'leaves' [(«sort» de)] the Trinity, never alienates himself from or externalizes himself in relation to it, in accordance with the absurd (in order to go where?) and blasphemous (the Son, would he set aside [(se déferait-il de)] his [own] filiation?) doctrine of the philosophers.  The opposite is true:  Christ Jesus re-integrates the world—despite its finitude and sin—into the Trinitarian play [(jeu)]; he 'recapitulates all things' (Eph 1:10) in himself, 'to the end that God may be all in all' (1 Cor 15:28).  The Trinitarian paradox [that] the Son possesses nothing that he has not received and for this very [reason] is in principle absolutely—this [Trinitarian paradox] Christ Jesus articulates and accomplishes in the economy, from the depths of finitude and human [(notre)] sin. . . .  The 'kenosis' does not introduce the negation [(negatif)], the alienation, namely the 'death of God' into (or rather outside of) the Trinity; it renders manifest, to men trapped in the obscurity of sin and rotting in hatred of self and of all of all, the eternal play of the gift and of the abandonment in which the three [Persons] of the Trinity triumphantly rejoice [(triomphent et jubilant)].  The masterwork accomplished by Christ does not consist in the heroism of his virtues or the enormity of his suffering (for in itself neither the exemplarity of a model nor the pain of an expiation saves [(sauve qui que ce soit)]); it consists in this, that, like an inspired musician, he performs the melody and the orchestration to perfection [(la mélodie et l’orchestration les plus parfaits)] on an instrument that has now but a single remaining string (free choice), a single string rendered (by the perversity of evil) completely discordant.  With this instrument—our nature which plays always false—he plays perfectly true [(parfaitement juste)] in accordance with its true nature [(suivant sa propre nature)].  [On the] strength of this performance, he can promise us that we, too, we will come to play true (or almost), provided that we allow ourselves to be inspired by the same Spirit who unites him eternally with his Father."

     Jean-Luc Marion, "À partir de la Trinité," Revue internationale catholique Communio 40, no. 6 (novembre-décembre 2015):  33 (23-37).  And, on p. 36:
At the very least, let us never speak [(ne parlons jamais)] of 'divine kenosis' on the cross.  The Trinitarian glory is manifest in the kenosis, but the kenosis is not equivalent to it.  The kenosis must be contemplated from and in view of the Trinity.  The kenosis brings the Trinity to light [(expose)], but does not explicate [(explique)] it.  On the contrary, [the kenosis] is a question of a revelation, through the obscurity of sin, of the Trinitarian play—in which agapè goes beyond, in its gravity [(sérieux)], its travail, its patience, and its suffering, all that our poor understanding and profound resentment imagines to be the gravity of the concept.  There is infinitely more gravity in the Trinitarian joy than is found in the futility—grim to be sure, but finite—of our sin.  The Trinity is at work even in the kenosis, because the distance within [the Trinity] includes and surpasses even those [distances]—still finite—of evil, of sin, of death.  'Power (dunamis) is made perfect in weakness' (2 Cor 12:9) precisely because 'with God all things are possible (para tô theo panta dunata)' (Mk 10:27 & Lk 18:27).

Friday, July 14, 2017

"Christian, look hard at them . . . in silence, and then ask for the print of the nails."

     "'While Martin was praying in his cell, the evil spirit stood before him, environed in a glittering radiance, by such pretence more easily to deceive him, clad also in royal robes, crowned with a golden and jeweled diadem, with shoes covered with gold, with serene face, and bright looks, so as to seem nothing so little as what he was.  Martin at first was dazzled at the sight; and for a long while both parties kept silence.  At length the evil one began:—"Acknowledge," he says, "O Martin, whom thou seest.  I am Christ; I am now descending upon earth, and I wished first to manifest myself to thee."  Martin still kept silent, and returned no answer.  The devil ventured to repeat his bold pretence.  "Martin, why hesitate in believing, when thou seest I am Christ?"  Then he, understanding by revelation of the Spirit, that it was the evil one and not God, answered, "Jesus, the Lord, announced not that He should come in glittering clothing, and radiant with a diadem.  I will not believe that Christ is come, save in that state and form in which He suffered, save with the show of the wounds of the Cross [(nisi in eo habitu formaque, qua passus est, nisi crucis stigmata)]."  At these words, the other vanished forthwith as smoke, and filled the cell with so horrible an odour as to leave indubitable proofs who he was.  That this so took place, I know from the mouth of Martin himself, lest any one should think it fabulous.’ —[Sulpicius Severus, ]Vit. B. M. 2[4, CSEL 1, ed. Halm (1866), 134]
     "The application of this vision to Martin’s age, is obvious; I suppose it means in this day, that Christ comes not in pride of intellect, or reputation for ability.  These are the glittering robes in which Satan is now arraying.  Many spirits are abroad, more are issuing from the pit:  the credentials which they display, are the precious gifts of mind, beauty, richness, depth, originality.  Christian, look hard at them with Martin in silence, and then ask for the print of the nails."

     John Henry Newman, The Church of the Fathers, 2nd ed., (London:  J. G. F. & J. Rivington, 1842), chap. 21, pp. 413-414.  On p. 206 of vol. 2 of the Historical sketches of 1876, that last paragraph was modified as follows:
     The application of this vision to Martin’s age, is obvious; I suppose it means in this day, that Christ comes not in pride of intellect, or reputation for philosophy.  These are the glittering robes in which Satan is now arraying.  Many spirits are abroad, more are issuing from the pit;  the credentials which they display are the precious gifts of mind, beauty, richness, depth, originality.  Christian, look hard at them with Martin in silence, and ask them for the print of the nails.
 I was put onto this by First things.